Femmes à l'oeuvre, femmes à l'épreuve de l'image. Unretouched women. beaux arts their itinerancy within matter to

their itinerancy within matter to generate forms

Summaries of papers presented in the sections of: Philology and History up to 1610

Arles-Rhône 3

Les Cahiers du musée Bonnard/1

between the 2nd and 3rd cataracts

Femmes à l'oeuvre, femmes à l'épreuve de l'image. Unretouched women. beaux arts their itinerancy within matter toIn the mid 1970s, at a time when feminism was experiencing unprecedented momentum in the United States, three American photographers, Eve Arnold, Abigail Heyman, and Susan Meiselas, published a new genre of books. Combining personal accounts and images, they offered a unique perspective on women's lives in the workplace and everyday life, even in their private lives. As women at work, these three photographers imposed their signature style and