C'est très difficile, la peinture. Propos et hommages. Arts now under French rule

now under French rule

to which you are easily summoned by the fascinating text of Germain Hirselj and the interview with a collector

Bringing to the public's attention the immense intellectual and artistic heritage of the Middle Ages

un dilly bag

Girodet's "Pygmalion and Galatea

C'est très difficile, la peinture. Propos et hommages. Arts now under French rule"I don't know if the word vocation is correct as far as I'm concerned. I didn't really realize then whether I wanted to be a painter. It seems to me that, at that time, what attracted me was not so much art, but rather the artist's life with all that it entailed, in my idea, of fantasy, of free disposition of oneself. Certainly for a long time I had been attracted by painting and drawing, but without it being an irresistible passion, while I wanted at