Pallas 118/2022. Objets et lieux sacrés: réalités et imaginaires. beaux arts recognized and adopted by the

recognized and adopted by the avant-gardes of the early 20th

it is through his incredible pictoriality that the modernity of his cinema is revealed

is often perceived as static

Panamanian Kuna or Guatemalan Quiché

and the image that ancient societies conveyed of them

Pallas 118/2022. Objets et lieux sacrés: réalités et imaginaires. beaux arts recognized and adopted by theThis issue focuses on the symbolic and imaginary construction of sacred spaces and objects in Classical Antiquity, with an opening onto the modern reception of the latter. Through a series of contributions touching on literature, archaeology, and art history, it illustrates the way in which real or semi fictional spaces or objects endowed with a religious dimension are reconfigured or resemanticized according to thought patterns or value systems in